Alien Clay
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Audible Standard 30-day free trial
Buy for $28.79
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Narrated by:
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Ben Allen
The planet of Kiln is where the tyrannical Mandate keeps its prison colony, and for inmates, the journey there is always a one-way trip. One such prisoner is Professor Arton Daghdev, xeno-ecologist and political dissident. Soon after arrival, he discovers that Kiln has a secret. Humanity is not the first intelligent life to set foot there.
In the midst of a ravenous, chaotic ecosystem are the ruins of a civilization, but who were the vanished builders and where did they go? If he can survive both the harsh rule of the camp commandant and the alien horrors of the world around him, then Arton has a chance at making a discovery that might just transform not only Kiln, but distant Earth as well.
This audiobook edition includes an exclusive interview between Ben Allen and Adrian Tchaikovsky.
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Critic reviews
“Enthralling, epic, immersive, and hugely intelligent.” —Stephen Baxter
“Adrian Tchaikovsky: king of the spiders, master worldbuilder, and asker of intriguing questions. His books are packed with thought-provoking ideas (as well as lots of spiders; did I mention the spiders?). One of the most interesting and accomplished writers in speculative fiction.” —Christopher Paolini
“Adrian Tchaikovsky’s Shards of Earth is one of the most stunning space operas I’ve read this year....Tchaikovsky’s world building is on glorious display as he throws all manner of spaceships, creepy aliens and strange technology into a delicious sci-fi soup. It’s dense, it’s funny, it’s exciting, it’s touching and it’s perfect for someone looking for a space opera built on a grand scale.” —BookPage (starred review)
“Dazzlingly suspenseful...Tchaikovsky’s intricately constructed world is vast yet sturdy enough to cradle inventive science, unique aliens, and complex political machinations. With a mix of lively fight scenes, friendly banter, and high-stakes intrigue, this is space opera at its best.” —Publishers Weekly (starred review)
“Tchaikovsky writes space opera on a grand scale, creating a massive, complex, vividly realized future environment...He guides the reader through this endlessly intriguing universe with a rock-steady sure hand. Fans of space opera should leave the book in breathless anticipation of the second installment in the trilogy.” —Booklist
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I have to subtract 2 stars, though, as Alien Clay definitely needed another editing pass. Throughout the book, but in Part 2 in particular, descriptions are repeated over and over again. The Mandate and the unique characteristics of the life of this world are described and redescribed endlessly — these additional descriptions do not add any additional nuance to what was said minutes or even seconds earlier. These sections are most enjoyable at 1.5x to 2x speed. I legitimately think certain concepts were described over 50 times — nearly identically — over the 14 hour runtime of the novel.
Characters were acceptable but a little flat, as is characteristic of most sci-fi (where the ideas are the focus). That said, this flatness is particularly damaging to the themes of this book. I did not find myself emotionally attached or empathetic to any of the characters on offer.
The performance was impeccable.
Recommended — a good, but not great, novel.
Interesting Ideas Burdened by Repetition and Characters
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Destined to be a classic
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amazing prose, remarkably cohesive ideas
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Wild and engaging!
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Not really, but it felt like getting into the nightmarish bowels of the spread of Gaia from Asimov's Foundation series.
This was a good book, it started slow, but typically held me captivated while listening.
With a beautiful ending to a book that started as a nightmare.
Danielle Olivaw Approved
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