I Want to Be Famous
When Everybody and Nobody Is a Celebrity
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I Want to Be Famous
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“I Want to Be Famous takes you on a Regal Cinemas rollercoaster pre-show ride through the history of celebrity, then pulls gems of insight and humor from the garbage dump of our strange present. Lindsey and Bobby are not-so-secretly my generation’s smartest close-readers of the contemporary pop culture paradigm.”—Jia Tolentino, author of Trick Mirror
While being photographed in 1966, Warhol reportedly said, “Everyone wants to be famous.” (To which his photographer Nat Finkelstein responded, “Yeah, for about fifteen minutes, Andy.”) Warhol was right then, and he’s right now. Fifteen minutes be damned, all you need is the drive—or desperation—and a singular spark. But if you’re not careful, you’ll end up a Who.
Who is a Who? In I Want to Be Famous, Bobby Finger and Lindsey Weber, the journalists behind the pop culture podcast Who? Weekly, distill celebrity into two categories—Whos and Thems—transcending the snarky, antiquated judgment of the “A-listers” to “D-listers.” If you come across an allegedly famous face you’ve never seen before and are compelled to utter “Who?”, well, there’s your answer. (Can you picture Rita Ora, Ava Max, or Hilaria Baldwin without googling them?) If the subject elicits something along the lines of, “Oh, Them,” there you’ve found the opposite (Beyoncé, Taylor Swift, Tom Cruise). It’s the fundamental binary of fame.
And yet, as more Whos spawn, the path to Themdom narrows. We’ve entered an era where accessibility to fame is within everyone’s grasp, though only a select few can crack the algorithm and hold our ever-diminishing attention spans. Celebrities have taken desperate measures to stay relevant—from the makeup, supplements, and alcohol they peddle to the Notes app apologies they post—as the media who cover them compete with celebrities breaking their own news on social media and as PopCrave decides who “stuns” next.
Blending juicy pop culture history with the authors’ signature wit, I Want to Be Famous argues fame no longer means ubiquity and examines what the future holds for those seeking our collective attention.
Critic reviews
“I Want to Be Famous takes you on a Regal Cinemas rollercoaster pre-show ride through the history of celebrity, then pulls gems of insight and humor from the garbage dump of our strange present. No one is as good as Lindsey and Bobby at being brilliant and absolutely pain-free.”—Jia Tolentino, author of Trick Mirror
“I Want to Be Famous is the seminal text for the internet brain-rotted freaks, i.e. me, who are obsessed with pop music girlies and know what Spencer Pratt’s dog’s name is. It’s sharp, funny, educational: a dissertation-length highbrow tabloid written by your coolest friends who have excellent taste in lowbrow culture.”—Samantha Irby, author of Quietly Hostile
“As a Wholigan of almost a decade, there is no one I am more eager to hear contextualize the modern fame game than Lindsey and Bobby. They dive into the history of celebrity and its discontents with as much hunger as if it were a goblet of Tyra Banks’s hot ice cream, and the result is nothing short of a modern soliloquy on what it means to seek the gaze of the masses. They’re funny, this we know—but you will be surprised by how I Want to Be Famous stays with you, and by the questions it forces you to ask about the attention economy, and how we the audience are just as accountable for where culture finds itself, if not more so. Come for the laughs and incredible cultural deep cuts, stay for the exegesis on how we wound up . . . here.”—Lena Dunham, author of Famesick
“I Want to Be Famous is a hilarious deep dive into the evolution of celebrity, from untouchable gods and goddesses to a morass of ‘just like us’ strivers (who manage to have more cultural currency than anyone with millions of dollars of studio backing behind them).”—Karina Longworth, author of Seduction and host of You Must Remember This
“I Want to be Famous cements Bobby Finger and Lindsey Weber as two of our most astute and thoughtful critics—and it’s a genuinely laugh-out-loud experience. Their grand theory of modern celebrity encompasses so much—stardom, yes, but also the death of the monoculture, the commercialization of everything, the end of shame, the bizarre contemporary media ecosystem. Finger and Weber have come up with a hilarious but also insightful framework that helps explain the world we live in now.”—Rumaan Alam, author of Leave the World Behind
“I Want to Be Famous is the seminal text for the internet brain-rotted freaks, i.e. me, who are obsessed with pop music girlies and know what Spencer Pratt’s dog’s name is. It’s sharp, funny, educational: a dissertation-length highbrow tabloid written by your coolest friends who have excellent taste in lowbrow culture.”—Samantha Irby, author of Quietly Hostile
“As a Wholigan of almost a decade, there is no one I am more eager to hear contextualize the modern fame game than Lindsey and Bobby. They dive into the history of celebrity and its discontents with as much hunger as if it were a goblet of Tyra Banks’s hot ice cream, and the result is nothing short of a modern soliloquy on what it means to seek the gaze of the masses. They’re funny, this we know—but you will be surprised by how I Want to Be Famous stays with you, and by the questions it forces you to ask about the attention economy, and how we the audience are just as accountable for where culture finds itself, if not more so. Come for the laughs and incredible cultural deep cuts, stay for the exegesis on how we wound up . . . here.”—Lena Dunham, author of Famesick
“I Want to Be Famous is a hilarious deep dive into the evolution of celebrity, from untouchable gods and goddesses to a morass of ‘just like us’ strivers (who manage to have more cultural currency than anyone with millions of dollars of studio backing behind them).”—Karina Longworth, author of Seduction and host of You Must Remember This
“I Want to be Famous cements Bobby Finger and Lindsey Weber as two of our most astute and thoughtful critics—and it’s a genuinely laugh-out-loud experience. Their grand theory of modern celebrity encompasses so much—stardom, yes, but also the death of the monoculture, the commercialization of everything, the end of shame, the bizarre contemporary media ecosystem. Finger and Weber have come up with a hilarious but also insightful framework that helps explain the world we live in now.”—Rumaan Alam, author of Leave the World Behind
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