Perception of Death
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Buy for $22.30
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Narrated by:
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Cathleen McCarron
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By:
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Louise Anderson
Erin Paterson runs her grandfather's law firm in Glasgow, and is an uncompromisingly aggressive negotiator. But the success of her practice is not echoed in her personal life. Erin's father has had a stroke. She can't stand her mother. Her sister's a flake and their brother, Leland, committed suicide. She's not doing too well with her boyfriend either, whom she discovers in flagrante the day that an old school friend, Lucy Grant, is murdered. From this moment, events unravel to test Erin's resolve to the maximum. Can she hold onto her job, even onto her life, when the past slithers out of the darkness to expose a secret in the family that no one dares confront?
©2004 Louise Anderson (P)2005 W.F. Howes Ltd.Listeners also enjoyed...
Yes, some of it is over the top but I found myself rooting for the heroine who is faced, it seems with a crisis a minute.
Most of the action is set in Glasglow and the reader uses a Scots accent, but it is laid on lightly enough that this American reader had no trouble following. She was also very good with the creepy phone call parts.
I Lost Sleep Over This One
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The story is complex and often graphic and it leads us all down a twisted and layered unfolding of events. When we, as listeners, have finally untangled all of the horrifying murders, undercurrents and hidden relationships and are genuinely pleased with ourselves and with Erin for being so clever, we discover that we and worst of all the protagonist who we have come to admire protectively, have all been utterly duped.
Delightfully unlikeable main character
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Great Book, Where's the Ending?
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Dangling ending
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If I noticed that an audiobook I was thinking about buying was read by the woman who read this book, I would be more likely to to buy it because I would know that it had a good reader.
A book that can engage and hold my attention while I'm involved in some other activity - such as driving or pulling weeds- gets a 4 from me. (The equivalent to a "B".) A reader who doesn't get in the way of the story and can smooth over rough spots in the text also gets a B.
This book was engaging, the character development, typical of this genre, was particularly good. In other words the characters weren't trite, flat, and utterly predictable. However, it is not so good that I could just sit and listen to it without having something else to do.
So for me it's a 4. Good enough to engage.
Good Enough
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