Queer Opera Audiobook By Richard Fleischman cover art

Queer Opera

The Hidden History and Impact of LGBTQ+ Voices on the Stage

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This title uses virtual voice narration

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“Queer Opera: The Hidden History and Impact of LGBTQ+ Voices on the Stage” is an illuminating exploration of opera’s profound and complex relationship with the LGBTQ+ community. From its roots in the baroque era to the modern, inclusive productions of today, this book charts the powerful, often hidden narratives of queer artists who have shaped and been shaped by the world of opera.

Written by Richard Fleischman, a life-long lover and practitioner of opera, this book takes readers on a personal and intellectual journey through the often-overlooked history of LGBTQ+ figures in opera. Through stories of heartbreak, resilience, and transformation, Fleischman explores how queer composers, singers, and creators have navigated their art within a complex and often hostile world. From the closeted struggles of early opera figures to the groundbreaking work of contemporary composers, “The Queer Voice of Opera” sheds light on the transformative power of music for the LGBTQ+ community.

Alongside personal reflections and historical analysis, the book dives into iconic queer operas, including Billy Budd, Death in Venice, and Angels in America, while also examining the lasting influence of LGBTQ+ themes on today’s opera scene. Through this book, Fleischman not only honors the legacy of queer artists past and present but also calls for a continued celebration of opera as a space of resistance, expression, and radical inclusivity.

For opera lovers, LGBTQ+ advocates, and anyone intrigued by the intersections of art, identity, and social change, Queer Opera is an essential and captivating read.

History & Criticism LGBTQ+ Studies Music LGBTQIA+ Opera
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Please stop using AI narration hearing the “LUHGUHBEETEE COMMUNITY” for LGBT community is an accident but in a book about centering queerness in opera narration that consistently mispronounces the community it addresses made this unlistenable also I don’t think we needed the bibliography read after every chapter

LUHGUGBEETEE

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