The Attic Child
A powerful and heartfelt historical novel, shortlisted for the Diverse Book Awards
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Buy for $14.02
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Narrated by:
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Lucian Msamati
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Nneka Okoye
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By:
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Lola Jaye
Longlisted for the Jhalak Prize 2023.
Two children trapped in the same attic, almost a century apart, bound by a secret.
1907: Twelve-year-old Celestine spends most of his time locked in an attic room of a large house by the sea. Taken from his homeland and treated as an unpaid servant, he dreams of his family in Africa even if, as the years pass, he struggles to remember his mother’s face, and sometimes his real name . . .
Decades later, Lowra, a young orphan girl born into wealth and privilege, will find herself banished to the same attic. Lying under the floorboards of the room is an old porcelain doll, an unusual beaded claw necklace and, most curiously, a sentence etched on the wall behind an old cupboard, written in an unidentifiable language. Artefacts that will offer her a strange kind of comfort, and lead her to believe that she was not the first child to be imprisoned there . . .
Lola Jaye has created a hauntingly powerful, emotionally charged and unique dual-narrative novel about family secrets, love and loss, identity and belonging, seen through the lens of Black British History in The Attic Child.
'An incredibly important book . . . a beautifully crafted, compelling story . . . which will undoubtedly break your heart but also make it sing.' - Mike Gayle
'This is important storytelling about issues of race and privilege . . .that will stay with me for a long time.' - Tracy Chevalier
'Just brilliant.' - Dorothy Koomson
'Powerful and emotional' - Lisa Jewell
Critic reviews
The book jumps between the two timelines as it tries to explain why this attic connects these two children.
Lowra's story is very common—the typical wicked stepmother who abuses the stepchild.
I connected strongly with the character of Celestine as it had more depth, and it's not a common story arc.
With Celestine, we get the perspective of a nine-year-old boy who was given away by his family to an explorer, Sir Richard, for his survival.
Because Celestine is young, naïve, and sheltered, he doesn't understand that he will not return home when he is taken by Sir Richard, and his parents don't have that discussion with him.
The book didn't go how I expected it to go. I was almost bracing for Celestine to be mistreated by Sir Richard, but he never was. At least not directly or intentionally.
That is not a common narrative, and I liked that the author took that approach to show that some people can be well-meaning within a broken system and unintentionally contribute to it.
It was sad to see how Celestine's skin colour dictated the treatment he received in the UK by the people in the community, those at school and even Sir Richard's staff.
It was heartbreaking to witness him navigating the limitations imposed on him because of his skin colour and origin, despite his diligence, excellence, and resolve to succeed, but I'm grateful that the book has a good ending, even though, in practice, many people never receive a happy ending.
The book has a lot of tension throughout, where things are implied but not outwardly addressed. For example, we see through Sir Richard's writings, which were discovered after his death, that he had sexual thoughts about Celestine, and we're also able to pick up through some scenes that some behaviours were strange, but they are never addressed.
So you end up with mixed feelings about Sir Richard because, although he participated in this explorer system, he also tried to take good care of Celestine by treating him well, giving him a good education and leaving him an inheritance after his death. The author also develops Richard's character well, telling us about his past and what led him to become an alcoholic, though indirectly.
My only critique is that the book requires some understanding of what an explorer is and why there's a negative connotation around them. The book doesn't explicitly position them as bad guys, but there are enough hints to suggest that there's a complex history there. The book also felt unnecessarily long at times.
I have read a few books with the Africa-to-America storyline and the challenges that come with it, but it was interesting to see a similar storyline in a British setting.
Overall, I think the book was well written, and I always appreciate an author who makes me reflect.
Nneka is also one of my favourite narrators on Audible. She's incredibly gifted and knows how to bring a story to life, so I was very grateful for the narration on this book.
Well written book
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