The Garden
A Novel
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Narrated by:
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Carlotta Brentan
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By:
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Clare Beams
A BEST BOOK OF THE YEAR FROM KIRKUS AND VANITY FAIR
"Genius."—The New York Times Book Review • “A teeming gothic.”—Vanity Fair • “Few novels of literary fiction are written as well as The Garden."—The LA Times
An eerie, masterful novel about pregnancy as a haunted house and the ways the female body has always been policed and manipulated, from the award-winning author of The Illness Lesson (“A masterpiece” – Elizabeth Gilbert)
In 1948, Irene Willard, who’s had five previous miscarriages in a quest to give her beloved husband the child he desperately desires, is now pregnant again. She comes to an isolated house-cum-hospital in the Berkshires, run by a husband-and-wife team of doctors who are pioneering a cure for her condition. Warily, she enlists herself in the efforts of the Doctors Hall to “rectify the maternal environment,” both physical and psychological. In the meantime, she also discovers a long-forgotten walled garden on the spacious grounds, a place imbued with its own powers and pulls. As the doctors’ plans begin to crumble, Irene and her fellow patients make a desperate bid to harness the power of the garden for themselves—and face the unthinkable risks associated with such incalculable rewards.
With shades of Shirley Jackson and Rosemary's Baby, The Garden delves into the territory of motherhood, childbirth, the mysteries of the female body, and the ways it has always been controlled and corralled.
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had me hooked right away
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Great book!
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Boring
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The reader does a wonderful job at capturing the women making the MC (main character) Irene’s voice clipped and bristly,forthright, and abrupt when she speaks but kinder or rather softer when she is her interior self. Irene is someone who is always on guard and is very astute. A child she knows is necessary for her husband but for Irene keeping one to term is a puzzle she can’t figure out. She will do anything for her husband even if it means living in a gothic-like mansion worthy of the English moors that is the eerie, fairy tale like atmosphere of the obstetrics residential clinic.
Beams excels at setting, at atmospheres, and unearthing questions re: maternity, motherhood, and pregnancy loss with the shame, anger, and disappointment that accompanies such a loss. She considers the godliness of doctors, the power of absolute control corrupting absolutely, and how we need draw deep within ourselves not to be lost in the current.
The imagery is so vivid, so visceral, so evocative, and so nuanced that you’ll find yourself marveling at this story and all its wondrous threads pulled into a magnificent tapestry. Bravo!
The sublimeness of motherhood
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Disappointing
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