The Queen City Detective Agency Audiobook By Snowden Wright cover art

The Queen City Detective Agency

A Novel

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The Queen City Detective Agency

By: Snowden Wright
Narrated by: Shayna Small
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Following an unforgettable cast of characters and a jaded female P.I. enmeshed in a criminal conspiracy in 1980s Mississippi, The Queen City Detective Agency is a riveting, razor-sharp Southern noir that unravels the greed, corruption, and racism at the heart of the American Dream.

Meridian, Mississippi—once known as the Queen City for its status in the state—has lost much of its royal bearing by 1985. Overshadowed by more prosperous cities such as New Orleans and Atlanta, Meridian attracts less-than-legitimate businesses, including those enforced by the near-mythical Dixie Mafia. The city’s powerbrokers, wealthy white Southerners clinging to their privilege, resent any attempt at change to the old order.

Real-estate developer Randall Hubbard took advantage of Meridian’s economic decline by opening strip malls that catered to low-income families in Black neighborhoods—until he wound up at the business end of a .38 Special. Then a Dixie Mafia affiliate named Lewis “Turnip” Coogan, who claims Hubbard’s wife hired him for the hit, dies under suspicious circumstances while in custody for the murder.

Ex-cop turned private investigator Clementine Baldwin is hired by Coogan’s bereaved mother to find her son’s killer. A woman struggling with her own history growing up in Mississippi, Clem braves the Queen City’s corridors of crime as she digs into the case, opening wounds long forgotten. She soon finds herself in the crosshairs of powerful and dangerous people who manipulate the law for their own ends—and will kill anyone who threatens to reveal their secrets.

Crime Fiction Private Investigators Mystery Detective Crime Mississippi Southern Exciting United States Genre Fiction Literary Fiction World Literature Biographical Fiction

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I’m from Mississippi. My husband grew up in Meridian and my family land is in Clarke County.
Not a single soul in Mississippi speaks like this narrator.
The narration was painful to endure and had a largely negative impact on the story.
How can one form a relationship with characters when you can hardly tolerate the sound of “their voice”?

Please, for the love of God, utilize southern narrators for southern stories.

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I could not get into the story because the foul language was constant and the Lord’s name in vain was over the top. I hate the text and wish I had not wasted my credits on it.

The foul language was the mani idea of this book

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