Episodes

  • Rebecca Buxton and Samuel Ritholtz, "The Way Out: Justice in the Queer Search for Refuge" (U California Press, 2026)

    Rebecca Buxton and Samuel Ritholtz, "The Way Out: Justice in the Queer Search for Refuge" (U California Press, 2026)
    Apr 20 2026
    The global refugee regime has shifted under our feet. Over the last forty years, international asylum practices have expanded to include the queer and trans displaced. At least thirty-seven countries now recognize LGBTIQ refugees on the basis of sexual orientation or gender identity, with some states providing specialized support. Yet amid this expansion, backlash has intensified against refugee protection as well as the hard-earned rights of LGBTIQ people. In this disquieting context, the protection of LGBTIQ refugees remains partial and exclusionary. The Way Out: Justice in the Queer Search for Refuge (University of California Press, 2026) examines the complexities of queer and trans displacement around the world. Centering personal narratives of LGBTIQ refugees, the book exposes the shortcomings of an international protection regime that is unable to address the harms that drive displacement. Rebecca Buxton and Samuel Ritholtz's analysis of the stakes of queer and trans inclusion in accounts of displacement justice offers a vibrant example of theory brought to life. This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has been published in 2025 by Oxford University Press.
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    1 hr and 6 mins
  • Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026)

    Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026)
    Apr 20 2026
    What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women’s work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women’s archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023).
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    1 hr and 5 mins
  • Ladder or Lottery? Gary Hoover on the Consequences of Broken Economic Promises

    Ladder or Lottery? Gary Hoover on the Consequences of Broken Economic Promises
    Apr 20 2026
    Today I have the pleasure of speaking with Gary Hoover about his new book, Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead (University of California Press, 2026). Gary is Professor of Economics and Executive Director of the Murphy Institute at Tulane University. One of the most challenging aspects of life is that sometimes, despite our very best efforts, we still miss the mark. Life can feel like a lottery, where success comes down to luck or the privilege to have the resources to buy as many lottery tickets as possible. For some, life appears like a ladder. No matter where you start, all you need to do is climb to get to the top. These metaphors encapsulate the dilemmas explored by Gary in his important work, as he examines in a variety of case studies whether economic conditions look more like a ladder or more like a lottery. When enough people feel that the system is more like a lottery than a ladder, social order breaks down, protests erupt, and, on occasion, revolutions take place. To take on this weighty topic, I’m thrilled today to have Gary Hoover on the podcast. Gary A. Hoover is Executive Director of the Murphy Institute, Professor of Economics, and Affiliate Professor of Law at Tulane University. Caleb Zakarin is the CEO and Publisher of the New Books Network.
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    1 hr and 18 mins
  • Miranda Banks and Kate Fortmueller, "Boom to Bust: How Streaming Broke Hollywood Workers" (U California Press, 2026)

    Miranda Banks and Kate Fortmueller, "Boom to Bust: How Streaming Broke Hollywood Workers" (U California Press, 2026)
    Apr 19 2026
    Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and interviews with industry workers to capture the lived experience of Hollywood in crisis. Tracking major disruptions of the preceding decade—including the transformation of streaming services into studios, the overproduction of series during Peak TV, as well as #MeToo and COVID—the authors explain how the conflicting interests of studio executives, creative workers, and workers' unions compelled a renegotiation of the terms of work. Grounding readers in the history of Hollywood labor negotiations, the authors provide a road map to make sense of Hollywood’s present—and what comes next. Miranda Banks is Professor of Film, Television, and Media Studies at Loyola Marymount University, author of The Writers: A History of American Screenwriters and Their Guild, and coeditor of Production Studies. Kate Fortmueller is Associate Professor of Film and Media History at Georgia State University and author of Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID. Peter C. Kunze is an assistant professor of communication at Tulane University.
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    1 hr and 6 mins
  • Cedric de Leon, "Freedom Train: Black Politics and the Story of Interracial Labor Solidarity" (U California Press, 2025)

    Cedric de Leon, "Freedom Train: Black Politics and the Story of Interracial Labor Solidarity" (U California Press, 2025)
    Apr 9 2026
    Our guest today is Cedric de Leon, author of Freedom Train: Black Politics and the Story of Interracial Labor Solidarity (U California Press, 2025). In this book, de Leon explores the complex and often overlooked history of Black political organizing within the U.S. labor movement. Rather than presenting a simple story of unity, he highlights the tensions, debates, and internal conflicts within Black civil society that ultimately strengthened movements for interracial labor solidarity. The book traces key organizations, leaders, and events from early socialist influences in Harlem to the rise of labor coalitions and the Memphis sanitation strike; demonstrating how Black workers and leaders actively shaped strategies for liberation. By focusing on both cooperation and disagreement, de Leon argues that Black political agency is best understood through this dynamic interplay. Freedom Train ultimately reframes labor history by centering Black voices and showing how their activism was crucial in pushing forward both civil rights and workers’ rights in America. Our guest, Cedric de Leon, is a Professor of Sociology and Labor studies at the University of Massachusetts Amherst. From 2018 to 2022, Cedric directed the UMass Amherst Labor Center, the country's premier worker-side graduate program in Labor Studies. He was the first person of color to do so. Before de Leon became an academic, he worked as a staff organizer and elected leader in the U.S. labor movement. His research focuses on race, labor, social movements, and political sociology, and he has published several books examining labor history and organizing. He has written extensively about how social movements organize and how political identities are formed, particularly within Black communities and labor struggles. His research combines historical analysis with sociological theory to better understand power, resistance, and collective action.
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    47 mins
  • Peter Richardson, "Brand New Beat: The Wild Rise of Rolling Stone Magazine" (U California Press, 2026)

    Peter Richardson, "Brand New Beat: The Wild Rise of Rolling Stone Magazine" (U California Press, 2026)
    Apr 7 2026
    Rolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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    49 mins
  • Amelia Frank-Vitale, "Leave If You Can: Migration and Violence in Bordered Worlds" (U California Press, 2026)

    Amelia Frank-Vitale, "Leave If You Can: Migration and Violence in Bordered Worlds" (U California Press, 2026)
    Apr 2 2026
    The consequences of U.S. border policies through the experiences of Honduran migrants. Hondurans have been at the heart of some of the most visible migration phenomena in the last few years, as well as the direct target of anti-immigrant rhetoric and policy. In Leave If You Can: Migration and Violence in Bordered Worlds (U California Press, 2026) Amelia Frank-Vitale offers a detailed portrait of the Honduran exodus and what it reveals about the broader consequences of changing US border enforcement policies. She highlights the stories of those who are often presented as unsympathetic: deported young men implicitly associated with the very violence they are trying to flee. In the process, she challenges underlying assumptions frequently held by policy makers and humanitarian agencies. Connecting overlapping regimes of mobility control, from the invisible gangland borders within San Pedro Sula to the growing expansiveness of the U.S. border's reach, this book shows how deportation does not deter migration but, in fact, keeps people moving, and how U.S. policies fuel the migration "crisis" they claim to address. Drawing from her own experiences accompanying migrant caravans over many years, Frank-Vitale also explores how caravans emerge as both protest movement and migration tactic in response to this expanding border regime.
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    39 mins
  • Christina Schwenkel, "Sonic Socialism: Crisis and Care in Pandemic Hanoi" (U California Press, 2025)

    Christina Schwenkel, "Sonic Socialism: Crisis and Care in Pandemic Hanoi" (U California Press, 2025)
    Mar 31 2026
    In an era dominated by visual information, what can the sounds of a pandemic reveal about crisis and care? How might attuning to sonic atmospheres uncover new dimensions to states of emergency and their implications for collective life? In Sonic Socialism: Crisis and Care in Pandemic Hanoi (U California Press, 2025), Christina Schwenkel examines the use of sound in COVID-19 response efforts in urban Vietnam. Based on “soundwork” conducted in Hanoi in 2020 during the pandemic’s first year, she shows how acoustic technologies played a pivotal yet overlooked role in state efforts to achieve record-low infection rates worldwide. Across lived experiences of quarantine, lockdown, and spatial distancing, Schwenkel explores sound-based interventions to curb virus transmission, and the public’s response to these auditory measures. From instant messaging alerts to public health videos and neighborhood loudspeakers, sonic governance sought to transform urban sounds and listening practices to mobilize action, drawing people into networks of care and control. As anthropology stands at a crossroads, Sonic Socialism makes the compelling case for the value of sensory autoethnography in reimagining a more careful and caring ethnographic practice in a post-pandemic world. Christina Schwenkel is Professor of Anthropology and Southeast Asian Studies at the University of California, Riverside. She currently serves on the Editorial Committee of University of California Press and is Vice Chair of the AAS Publications Editorial Board. Her research examines the material legacies of infrastructural warfare in urban Vietnam and the Cold War circulations of people, objects, design technologies, and architectural practices among socialist-allied countries in its wake. She is the author of The American War in Contemporary Vietnam: Transnational Remembrance and Representation (Indiana UP, 2009) and the award-winning Building Socialism: The Afterlife of East German Architecture in Urban Vietnam (Duke UP, 2020), which together explore the material practices through which people remember and rebuild in the aftermath of empire. Her most recent book, a sensory autoethnography entitled Sonic Socialism: Crisis and Care in Pandemic Hanoi (UC Press, 2025), extends her work on urban disaster and decay to encompass media infrastructures and the anthropology of sound. Sonic Socialism is available in open-access format via Luminos. She can be reached via her personal website: https://christinaschwenkel.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on modern Vietnamese literature, socialist realism, and literary translation across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu.
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    1 hr and 10 mins