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Robert Plant kicked off his US spring tour with Saving Grace and Suzi Dian last night in Albuquerque, New Mexico, at the sold-out Kiva Auditorium, according to Nonesuch Records, marking a pivotal moment in his post-Led Zeppelin evolution toward roots music mastery. This launch supports their critically acclaimed album Saving Grace, blending blues, folk, gospel, and country, with Nonesuch highlighting it as a fresh chapter after years of barn sessions and small gigs since 2019. No major headlines emerged in the past 24 hours, but the tour's momentum builds biographical weight, showcasing Plant's shift from stadium rock god to intimate collaborator at 77.
The itinerary heats up fast: tonight he hits Tulsa, then Dallas on March 18 at Majestic Theatre with Rosie Flores opening, per JamBase; Austin on March 21 at ACL Live, as listed on their site; San Antonio, New Orleans, Memphis, Nashville's Ryman Auditorium on March 26 via Ryman and Visit Music City listings; and more through Louisville, Raleigh, Asheville, culminating April 7 at New York City's Cathedral of St. John the Divine. Nonesuch also teases a vinyl EP, Saving Grace: All That Glitters, dropping exclusively at indie stores on Record Store Day, April 18—a collector's gem underscoring Plant's enduring vinyl legacy.
No fresh public appearances, business deals, or verified social media buzz surfaced in the last few days beyond tour hype—no Instagram posts or X mentions from Plant himself, and gossip mills stay quiet on personal scoops. Speculation swirls online about setlist surprises drawing from Blind Willie Johnson or Moby Grape covers, but that's unconfirmed fan chatter. This tour cements Plant's Welsh borderland roots revival, six years post-album, potentially rivaling his Grammy-winning Krauss collabs in long-term lore.
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