Welcome to the 100th episode of The Culture We Deserve -- we really need to rethink our lives. The novel Shy Girl was recently pulled from publication after accusations that the author Mia Ballard used AI during its writing. As arts and culture is infiltrated with LLMs and slop, it doesn't say great things about the future that Hachette, one of the world's largest publishers, can't tell AI from human creativity. But with our standards so low anyway, does any of this matter? What will save us from the slop machines? Jessa and Nico discuss how we recreate taste and high standards, how the institutions of academia, publishing, and music have led us here, and whether it matters if your fantasies are written by human or machine.

Shownotes and references:

http://theculturewedeserve.substack.com

Daughter of two members of the Weather Underground Hope Reeves went to the New York Times to complain that the Oscar winning film One Battle After Another wasn't an accurate portrayal of what her tenured professor parents accomplished. Beginning to worry that the media class literally can't tell the difference between reality and entertainment at the moment. But also, what is behind the nostalgia for 1968? A time of political failures, chaotic violence, and a total inability to bring about change? And what does this nostalgia for a failed era do to people who need and desire change, desperately? Jessa and Nico discuss our dreams of failure and the end of American cultural hegemony.

Shownotes and references:

http://theculturewedeserve.substack.com

Back in the 2010s, instead of political progress we got role models, little girlboss avatars to root for. Their happiness, we were told, was our happiness. Their success was our success. Well, now them most of them are divorced or bankrupt or hard launching polyamorous relationships that sound nightmarish and torturous, maybe it's time to think about actual political organization around issues like domesticity, equality, and social welfare programs? Jessa and Nico discuss Lindy West's new memoir, why we only get polyamory memoirs from women, and why polyamory is frequently offered as a consolation prize when actual political progress for women is stalled.

Shownotes and references:

http://theculturewedeserve.substack.com