What new craft books are can't-miss? Which are the classic reference books that every crafter should have on the shelf? In the Yarn Barn of Kansas Book Club, teachers and book lovers talk about the books they wouldn't be without.

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Learning how to weave but need the right shuttle? Hooked on knitting and in search of a lofty yarn? Yarn Barn of Kansas has been your partner in fiber since 1971. Whether you are around the corner from the Yarn Barn of Kansas, or around the country, they are truly your “local yarn store” with an experienced staff to answer all your fiber questions. Visit yarnbarn-ks.com to shop, learn, and explore.

Before Ravelry, before knitting podcasts, before the internet fully found its craft obsession, there was Knitty. Amy Sadler shares the inspiration and evolution of the online knitting phenomenon.

In the early 2000s, as the internet became part of daily life for millions, Amy Sadler began a knitting blog. The blog movement connected knitters around the world (whether newbies or longtime stitchers) and sparked friendships and inspiration. Amy participated in a blog ring, which directed readers from one blog to another, and saw the opportunity to collect and present the clever patterns and ideas that were cropping up around the web. She put out a call for patterns, her husband coded the website, and she released the first Knitty in Fall 2002.

Since the first issue, Knitty has released 95 issues (and counting), becoming one of the most respected and longest established knitting periodicals currently published in any format. Knitty was the first publication to include patterns by knitting stars including Cookie A, Gudrun Johnston, Ysolda Teague, Stephen West, and Kate Gilbert. The magazine’s technique section has offered groundbreaking new ideas including Jeny’s Magic Cast-On. Knitty was at the forefront of the sock-knitting craze in the 2000s and a leader in the push for expanded size ranges (its garments are sized from XS–5X).

And access to Knitty’s patterns and articles has always been free to users. Amy is Knitty’s only full-time employee; the publication pays contributors for their work and commissions professional technical editing for every pattern. To support Knitty, a longstanding Patreon program invites readers to fund the magazine directly.

More than 20 years in, as the knitting community and the internet have seen dramatic shifts, Knitty continues to welcome new voices and connect knitters worldwide with fresh ideas.

Knitty

This episode is brought to you by:

Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild silks provide choices beyond white.

If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.

Best known for his work with peanuts, renowned agricultural scientist George Washington Carver had a lifelong passion for needlework. Park Ranger Curtis Gregory shares stories about Carver’s interests in handwork and natural dyeing.

Born in 1865 near Diamond, Missouri, George Washington Carver is one of the best known and most respected agricultural scientists in the history of the United States. Before his death in 1943, Carver “created 325 uses for peanuts, 108 applications for sweet potatoes and 75 products derived from pecans. Some of the products he created include chili sauce, meat tenderizer, instant coffee, shaving cream, and Worcestershire sauce,” according to the National Park Service website. Park Ranger Curtis Gregory stewards the scientist’s legacy and shares stories of his life at the George Washington Carver National Monument, which is located at Carver’s birthplace.

Even in his most industrious decades, as Carver obtained a masters degree, taught at the Tuskegee Institute, and worked in a laboratory, he kept his hands busy with needlework. Any crafter today will relate to his recollection in a 1931 letter: “If I had leisure time from roaming the woods and fields, I put it in knitting, crocheting, and other forms of fancy work” (quoted in Kremer, Gary R., ed., George Washington Carver in His Own Words (Columbia, Missouri: University of Missouri Press, 1987), 128.)

Carver used uncommon materials and foraged natural dyestuffs in his work, drawing on his childhood love of painting. He designed projects not only to express his own creativity but also to inspire poor tenant farmers and sharecroppers who wanted to improve their homes. Gregory describes a handsewn table mat fashioned from cotton stalks and botanically dyed, a treasured example of a man who saw value where others did not.

Links

George Washington Carver National Monument

George Washington Carver Center at the Tuskegee Institute

“George Washington Carver.” National Park Service

“The Scientist Who Crocheted: George Washington Carver’s Unexpected Legacy” by Nancy Nehring. PieceWork Spring 2021.

“Nature’s Colors in the Hands of George Washington Carver” by Nancy Nehring. Spin Off Spring 2022.

This episode is brought to you by:

Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.

If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed.

Gudrun Johnston has a deep legacy in Shetland knitting: her father’s family comes from the islands, and her mother founded a knitwear company that blended contemporary silhouettes with Fair Isle motifs, a business she called the Shetland Trader. But although Gudrun grew up wearing her mother’s designs, she didn’t learn to knit from her. Growing up largely elsewhere in Scotland, she learned the craft as a child, but it didn’t become central to her life for decades.

She eventually fell in love with knitting, thousands of miles from Shetland. In 2007, she published her first design, a skirt in a hemp-blend yarn for her daughter. From that point, knitting and Shetland drew her back more and more. Developing her own design style, she incorporated stitches and motifs from traditional knitting and found a deep affinity with yarn milled locally from the traditional dual-coated sheep. As generations of local knitters did before her, she draws on elements from elsewhere but gives them a distinctly Shetland flair.

Although knitters worldwide know about haps and Fair Isle knitting today, the island’s knitting tradition has faced economic threats over the years. Many knitters practiced the craft to make a bit of income, and a better-paying option (an oil terminal that opened in the mid-1970s) led to the dwindling of the cottage knitting industry. However, in tandem with the active local guild, Shetland Wool Week, and the new Shetland Organisation of Knitters, local knitters have preserved their traditions and are happy to share their knowledge.

Gudrun unites her own style with her Shetland roots in her designs, most recently the book Grand Shetland Adventure Knits, which she co-authored with her friend Mary Jane Mucklestone. She is at work on a new book exploring colorwork in a collection of knitted vests.

• Grand Shetland Adventure Knits by Gudrun Johnston and Mary Jane Mucklestone
  
• See Gudrun’s tutorials and podcast episodes at her YouTube channel
  
• Find the Identity Cowl in the Farm & Fiber Knits library
  
• [Shetland Wool Week](*https://www.shetlandwoolweek.com/videos/how-to-wool-week/)
  
• Shetland Guild of Spinners, Knitters, Weavers and Dyers
  
• Shetland Organisation of Knitters
  

This episode is brought to you by:

Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild silks provide choices beyond white.

If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.

If you love knitting, quilting, and all things fiber, you have to check out the new Fiber + Fabric Craft Festival. It’s brought to you by the team behind h+h Americas, premier craft trade shows across the U.S. They have something for everyone—from consumers to retailers to manufacturers. Come shop, learn, and get inspired.

Learn more at FiberFabricCraft.com.

Christina Garton didn’t get to be the editor of Little Looms by taking weaving too seriously.

First introduced to weaving in a class post-college, she joined Handwoven as assistant editor in 2011. She developed her passions for editing and weaving while working on both multishaft and rigid-heddle looms. Although she still loves working on her four- and eight-shaft looms, she was surprised to discover that she loves the hands-on, up-close nature of hand-manipulated weaving.

With the launch of Little Looms in 2016, Christina began exploring the horizons of pin looms, rigid-heddle looms, and inkle looms. She’s found that you can make amazingly clever, versatile, and beautiful cloth on even the simplest loom.

Listen in to find out who Christina defines as a real weaver, learn how to see your work in the magazine’s pages, and hear a preview of a new project coming from Little Looms this fall.

Links

Laverne has maintained a blog and weaving journal on her website since 2009.

Laverne’s books are available from Taproot Video.

Laverne offers a number of tutorials of techniques she practices as well as videos of a variety of weaving techniques and traditions.

This episode is brought to you by:

Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild silks provide choices beyond white.

If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.

If you love knitting, quilting, and all things fiber, you have to check out the new Fiber + Fabric Craft Festival. It’s brought to you by the team behind h+h Americas, premier craft trade shows across the U.S. They have something for everyone—from consumers to retailers to manufacturers. Come shop, learn, and get inspired.

Learn more at FiberFabricCraft.com.

Small textile towns were once common in New England, with stout brick buildings harnessing the power of the region’s water to mill yarn and cloth. The Colony family had been owners of a mill in Harrisville, New Hampshire, since before the Civil War, but by the mid-twentieth century, such factories had begun to disappear. In 1970, 53 mills closed in New England, the Colony family’s among them. John Colony (known as Chick) returned from serving in the Coast Guard to a mill town without a working mill.

Chick saw that the small town would wither unless a new project came in to fill the gap. After considering the options, he had the idea: What better use could there be for an old mill village than to make yarn? So shortly after his father and uncle closed down the mill, Chick opened a business making woolen yarn on some of the same old equipment. The new endeavor was scaled back in scope, but yarn was coming from the old mill buildings once again under the label of a new company, Harrisville Designs.

The town’s buildings and surrounding watershed became the center of a historic preservation effort. More than 50 years later, Harrisville is known as the best preserved early textile village in the country.

Harrisville Designs’s woolen-spun yarns are dyed in the wool, blending 12 or 13 brightly dyed fibers into dozens of subtle heathered hues. Initially developed for weaving, the yarns have become popular among knitters looking for yarns with character.

The next generation, Chick’s son Nick Colony, has taken on management of the mill, developing knitting yarns such as their Nightshades color line and small-batch Shear as well as updating the company’s energy production and manufacturing facilities.

Harrisville Designs has produced a range of weaving looms for decades, but the youngest weavers probably know the company for their potholder looms. Realizing that the potholder loops and looms on the market were poor quality, Harrisville developed a metal loom and experimented to develop cotton loops in a range of bright colors.

Weavers, knitters, and history enthusiasts may all know Harrisville for different reasons, but the effort that began in 1971 as a preservation project has created new futures in this small New Hampshire town.

Harrisville Designs website

Historic Harrisville

Red Brick Village, a documentary about preserving historic Harrisville

This episode is brought to you by:

Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You’ll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway’s array of wild silks provide choices beyond white.

If you love silk, you’ll love Treenway Silks, where superior quality and customer service are guaranteed.

The picture of a flock of primitive-breed sheep, the last of their kind, living on an island off the northeast coast of Scotland, has a certain romance to it. Plenty of knitters, spinners, fiber artists, and citizens of the modern world might idly dream of living on such an island and tending such a flock. With no background as a farmer and only a few years as a shepherd, Jane Cooper decided to bring that dream to life.

Enchanted by the fiber of the Boreray sheep, and with her life transformed by a class on knitting with rare breeds, Jane decided to buy a small parcel of land and start a spinner’s flock by adopting a few wethers from another farmer. In a short time, however, she found herself with more land—and more sheep—than she planned for. And so began her adventure as the shepherd of the “lost flock,” a group of sheep whose ancestors had escaped the official registry.

Since obtaining her first sheep in 2013, Jane not only developed her own breeding program but established several other breeding flocks in the Orkneys. She has explored the recent and ancient history of her sheep, from the Vikings who used dual-coated wool in their sails to the breed registries established in the 20th century (and traced how her own sheep came to be called “the lost flock.”)

This episode is brought to you by:

Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white.

If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed.

Orkney Boreray website

The Lost Flock book by Jane Cooper US edition and UK edition

Blacker and Beyond Ravelry group

Blacker Yarns and The Natural Fibre Company
Woolsack British wool website