Showing results by author "Mary E Wilkins Freeman" in All Categories

Step beyond the lamplight and into the gilded darkness of a vanished world. Ghost Stories from the Gilded Age is a classic ghost story anthology featuring eerie tales by female authors who defied convention—Charlotte Perkins Gilman, Edith Wharton, Kate Chopin, and more. Narrated by an all-star ensemble of Audie, SOVAS, and One Voice award winners and nominees, this haunting audiobook collection blends Gothic elegance with supernatural unease.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.

Up until recently, Freeman has been known primarily as a "feminist" writer, for her classic stories like "A New England Nun", and "The Revolt of Mother". However, she also wrote many well crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of American women authors whose time has now come again.

Mary E. Wilkins Freeman is known primarily as a "feminist" and "local color" writer, for such classic tales as "The Revolt of Mother". She wrote very entertaining stories that included clear depictions of the pressures that often silenced or devalued women and their concerns. This famous story gets that message across but not without a bit of humor.

A glittering collection of classic stories for children, which have delighted generations and continue to appeal.

To be a woman is to be half the world’s population but, in many countries, unfortunately still now and for most of history, women were decidedly second class, normally no more than chattels and the bearers and nurturers of children. As society involved into a complex and overlapping system where education and equality begin to seek space things began to change. In this volume our authors describe and reveal how life actually felt for almost all women before the recent past.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

Some of the greatest ghost stories of all time, here to send chills down your spine.

In this volume we examine Gothic short stories from the woman’s point of view. More usually in this genre the main examples are almost always given as male. Well, in this volume we prove that view needs severely testing. Here we explore works by classic women authors who, with the sheer breadth of their talents and narratives, can make mere men seem tame by comparison.

Are you looking for non-religious kids' Christmas stories? If so, you will enjoy our collection: Kids' Christmas Book with Santa Claus and Non-Religious Stories: Xmas Holiday Story Books for Children. Note that these are public domain works that were originally written by the indicated authors. All of the stories have been modernized and re-written for the 21st century.

In a literary career of almost 50 years, Mary E. Wilkins Freeman (1852 - 1930) wrote 15 collections of short stories, 16 novels, one play, and eight volumes of prose and poetry for children. Her most memorable writing occurs in the genre of short fiction. The short story The Cat is about an old man and a cat who share a dwelling and keep each other company through a long cold winter. The character of the cat is anthropomorphized in an interesting way, and elicits more empathy than the human.

Als Harriet Gill nach einem langen Leben stirbt, erben ihre zwei Großnichten, Sophia und Amanda Gill, ihr altes Haus in der Nähe von Boston. Doch es ist ein zweischneidiges Erbe: denn die beiden Schwestern dürfen das Anwesen erst nach zehn Jahren verkaufen und müssen so lange selbst darin wohnen, was eine teure Angelegenheit zu werden droht. Nur gut, dass die findige Sophia eine Idee hat, mit dem Problem umzugehen. Sophia und Amanda verwandeln das Anwesen kurzerhand in eine Pension. Doch sie haben nicht mit dem Widerstand der Verstorbenen gerechnet.

In a quaint New England village, the Glynn siblings gather to mourn the unexpected death of their brother Henry. As they convene in the dimly lit family home, old tensions and secrets begin to surface, intertwining with an unsettling presence that lurks within the house. The siblings soon discover eerie shadows cast upon the walls—shadows that seem to move of their own volition, whispering untold tales of the past. As the family grapples with their own guilt and grief, the mysterious shadows grow darker, revealing a truth more sinister than any of them could have imagined.

When Edward Glynn dies suddenly in the family home, the surviving siblings gather in mourning—yet grief quickly gives way to dread. A strange shadow begins appearing on the study wall each night, a tall and unmistakably human silhouette that refuses to fade, no matter how the room is rearranged or the light is moved. Caroline, Rebecca, and Emma Glynn struggle to hold themselves together as the tension among them thickens, suspicions grow sharper, and their brother Henry’s behavior turns increasingly frantic. What is the shadow? Why does it look like Edward?

Embark on a journey through 19th-century New England with 'A New England Nun' by Mary E. Wilkins Freeman. This annotated edition unveils the nuanced layers of societal expectations and women's autonomy. Explore the symbolism of wild grapes, the metaphorical imagery of an uncloistered nun, and Joe Daggett's poignant honesty.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

This whimsical collection of Christmas stories is sure to delight children of all ages. Includes the holiday favorites "Santa Claus Does Not Forget", "The Doll's Christmas Party", "Little Girl's Christmas", "Jimmy Scarecrow's Christmas", "The First Christmas Tree", and "Mama's Happy Christmas".

In this series we explore the many facets of love through literary talents that span both time and country. There are times when love is not a revelation and a calling from one soul to another but a carefully navigated path, or maybe a badly chosen path that decimates happiness. Which way will our literary leviathans take us? Inevitably it will be more than one.

A wonderful collection of Christmas stories and poems celebrating all the warmth and joy of the holiday season. "Yes, Virginia, There is a Santa Claus" is a kindly editor's reply to a young reader regarding the existence of Santa; "Silent Night" is the classic song read with meaning and reverence; "The Christmas Masquerade" is a charming tale of a magical Christmas Eve.