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Charlotte Perkins Gilman (1860 -1935) was a prominent American novelist, writer of short stories, poetry, and nonfiction, and an advocate for social reform. Herland is a utopian novel from 1915 which describes an isolated society of women who reproduce through asexual reproduction. The narrator is Vandyck "Van" Jennings, a sociology student who, along with two friends, explore an area of uncharted land. The three male visitors arrive, and in due time get married to three of the women, with various sets of consequences.

Great Horror Stories is a vintage collection of some of the finest ghost tales, horror stories, and supernatural legends ever written, by the best writers the genre has to offer.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate! Still I will proudly declare that there is something queer about it. Else, why should it be let so cheaply? And why have stood so long untenanted? John laughs at me, of course, but one expects that in marriage. John is practical in the extreme.

Charlotte Perkins Gilman is known for her themes of female entrapment and patriarchal control, and she gives this a Gothic twist in "The Giant Wistaria". A wealthy young couple and their friends rent a manor house, excited by the prospect that it’s haunted, and they are not disappointed when they all experience the same vivid dream.

The Modern Age is one of information overload. Bombarded, surrounded, and battered by facts, figures, opinions and seemingly whatever else comes out of anyone’s head from all directions at all hours of the day and night. It’s exhausting. In the pens of such luminaries as Henry James, E M Delafield, C E Montague, Charlotte Perkins Gilman and many others we connect with old fashioned media from publishing and advertising to telegrams and radio and everything in between in ways that are surprising, enlightening but always entertaining.

In this volume we examine Gothic short stories from the woman’s point of view. More usually in this genre the main examples are almost always given as male. Well, in this volume we prove that view needs severely testing. Here we explore works by classic women authors who, with the sheer breadth of their talents and narratives, can make mere men seem tame by comparison.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

This story is told as a series of journal entries from a woman who is on forced rest as a treatment for hysteria following the birth of her child. As was common in the time, she is forbidden from any work or "strenuous" tasks and is left to sit alone most of her days without mental stimulation, trapped in a room and a marriage that are not fulfilling her. The woman's isolation and mental state cause her to believe that there is a woman stuck in the wallpaper of her room.

The diary is that most intimate of journals, of records. Within its pages the writer records and gives expression to their thoughts, their feelings, their emotional state on all the things that make up and surround them in this world. With authors of the calibre of Bulgakov, Woolf, Tolstoy, Twain and many others this volume explores characters whose lives seem dominated by these diaries, and the events that unfold are both compelling and literary journeys into the very personal and intimate side of their characters’ lives.

Herland is a captivating utopian novel from 1915, crafted by the visionary feminist Charlotte Perkins Gilman. This intriguing narrative unfolds in a secluded society composed exclusively of women who reproduce through parthenogenesis, leading to an idyllic social order devoid of war, conflict, and oppression. Originally serialized in Gilmans own magazine, Forerunner, this thought-provoking tale invites readers to explore a world where harmony reigns supreme.

Como fiel reflejo de la sociedad en que se desarrolla, la literatura muestra los cambios y terrenos que ha ganado la mujer a lo largo de la historia. Aún queda mucho camino que recorrer pero Medea, Sherezade, Morella, Madame Bovary e, incluso, Lisbeth Salander han ayudado a defender y...

Embárcate en un fascinante viaje hacia una sociedad utópica oculta en la innovadora novela feminista de Charlotte Perkins Gilman. Cuando tres exploradores estadounidenses descubren una civilización aislada compuesta enteramente por mujeres, se encuentran con un mundo que desafía todas las suposiciones sobre género, sociedad y potencial humano. A través de sus ojos, exploramos una cultura extraordinaria que ha evolucionado durante dos mil años sin hombres —un lugar donde reina la paz, las niñas son valoradas por todos y la cooperación reemplaza la competencia.

An eclectic collection of many of the spookiest classic tales of horror, including Sir Arthur Conan Doyle's "The New Catacomb"; Edgar Allan Poe's "Masque of the Red Death", "Hop-Frog", and "The Cask of Amontillado"; W. W. Jacobs's "The Monkey's Paw"; Charlotte Perkins Gilman's "The Yellow Wallpaper"; and Algernon Backwood's "The Willows".

This whirlwind murder-mystery of intrigue, betrayal, and stolen treasure is a whodunit of epic proportions.

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

Satire, Humor and Irony in some cases have been regarded as the most effective source to understand a society, the oldest form of social study. Contents: The Cop and the Anthem by O. Henry; The Ransom of Red Chief by O. Henry; What Stumped the Blue Jays by Mark Twain; The Celebrated Jumping Frog of Calaveras County by Mark Twain; The Toys of Peace by Saki (H. H. Munro); The Artful Hussar by Johann Peter Hebel; From The Surprising Adventures of Baron Munchausen by Rudolf Erich Raspe; The Golden Honeymoon by Ring Lardner; When I Was a Witch by Charlotte Perkins Gilman; Micromegas: A Philosophical History by Voltaire.

Charlotte Perkins Gilman (1860-1935) was a prominent sociologist, novelist, and writer of short stories, poetry, and nonfiction. In the short story "If I Were a Man", a married woman named Mollie Mathewson yearns with all her heart to be a man and is suddenly transported into the body and mind of her husband, Gerald. Through the character of Mollie, Gilman illustrates the roles and attitudes of women in early 19th-century society. The utopian novel Herland describes an isolated society composed entirely of women, with an ideal social order free of war, conflict, and domination.

The Yellow Wallpaper was first published in January 1892. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health. The story is a collection of diary entries written by Jane whose physician husband has confined her to the upstairs bedroom of a house he has rented for the summer. The Yellow Wallpaper has been interpreted as a condemnation of the paternalism of the 19th-century medical profession.

Este maravilloso relato, escrito por la autora norteamericana Charlotte Perkins, nos cuenta, a través de la forma del diario de una mujer, la historia de su matrimonio, la maternidad y la recuperación de una enfermedad que adolece en una peculiar casa de campo, donde día a día ingresará en otra realidad. El simbolismo y los sucesos de corte psiquiátrico son precisos para conectar la obra con un lado de la realidad que no debe ser ignorado.