Men, Women, and Chain Saws Audiobook By Carol J. Clover cover art

Men, Women, and Chain Saws

Gender in the Modern Horror Film

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Men, Women, and Chain Saws

By: Carol J. Clover
Narrated by: Eva Wilhelm
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From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented - notably the slasher movie's "final girls" - as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers.

Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid fanbase from students of film theory to major Hollywood filmmakers.

©1992 Princeton University Press; Preface copyright 2015 by Princeton University Press (P)2021 Tantor Film & TV History & Criticism Gender Studies Scary Popular Culture Entertainment & Performing Arts Social Sciences Entertainment Film Studies
Landmark Horror Analysis • Academic Horror Study • Well Performed Audiobook • Serious Genre Examination • Good Reader

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As a lifelong horror fan, this book was an absolute revelation. I’ve always loved horror for being a window into the societal Freudian “id,” but this really put it into a new perspective for me. And it’s always wonderful to read a book that takes the horror genre seriously. It may not always speak solemnly (or respectably), but it’s a genre that has profound things to say.

A classic, for good reason

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I’m a massive genre fan, and being able to read this seminal work, one which coined the term “final girl”, has been a total joy. The audiobook is well performed by Eva Wilhelm, and includes the latest forward by the author. My only complaints have to do with the facts that a) the chapters in the audiobook do not match up with the physical book at all (when the audiobook metadata says “chapter 6” but the narrator says “chapter 3”, you can see how difficult it would be to sync up the audiobook with the physical book you might be reading in bed) and b) none of the footnotes are read.

Regardless, this is a great way to enrich your knowledge of cinemas least understood genre.

Rich and insightful

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This one was ok. Interesting, but not riveting. I read it on a movie podcast recommendation. It used a lot of psych and movie language I wasn’t super familiar with. I might have liked it better if I liked movies more. It was also frustrating that it was an older book and didn’t reference any newer movies which addressed the book’s arguments.

Good reader, decent book

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Men, Women & Chain Saws is a fantastic analysis of gender in the horror movies we love. I believe it's a must for fans that love a deeper perspective on the genre.

Absolutely Fascinating!

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So, I am only in chapter 3, and my change my view by the end of the author begins doing more research, but I am sneering a bit as she takes the bait and low polling result on the main audience to slasher films. It has been studied and noted, in easily found publication and documentries, that the rate or female audience to mainstream slasher film is higher-55% at last counts- then the male audience. If you subject studies to exploration grindhouse theatre houses, female audience is lower only due to the towns that those movie houses reside being in areas deemed as “rougher”. While I have gone to those theatres , it was only in daytime with a keen eye always on the lookout for a purse snatcher or assaulted before and after. Females LOVE slasher films, and that a female would not find this research is not a good thing. That she also seems to be more pointed toward male feeling on female captivity and suffering and stating a female must become “masculine” to defeat the villain is also bunk. The female must find her own, defiantly feminine power to defeat the villian. I hope further throughout she does more research and does not localize studies to her own small cali cityscape

In chapter 3

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