The Manual for Good Wives
A Powerful and Heartbreaking Novel About Love, Family and Reclaiming Black British History
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Buy for $15.02
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Narrated by:
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Natalie Simpson
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Precious Mustapha
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By:
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Lola Jaye
'The Manual For Good Wives, a fast-paced tale of courage and resilience is beautifully written and remarkably moving. An absolute masterpiece' - Mike Gayle, author of All the Lonely People
'Simply brilliant' - Alexandra Potter, bestselling author of Confessions of a Forty-Something F**k Up
*****
Everything about Adeline Copplefield is a lie . . .
To the world Mrs Copplefield is the epitome of Victorian propriety: an exemplary society lady who writes a weekly column advising young ladies on how to be better wives.
Only Adeline has never been a good wife or mother; she has no claim to the Copplefield name, nor is she an English lady . . .
Now a black woman, born in Africa, who dared to pretend to be something she was not, is on trial in the English courts with all of London society baying for her blood. And she is ready to tell her story . . .
From the author of The Attic Child, Lola Jaye, comes a powerful dual narrative historical novel. The Manual for Good Wives is about love, generational trauma, second chances and hope.
*****
'An unforgettable voice within a breathtaking story about love, lineage, and the intergenerational effect of bravery in the face of misfortune' - Jessica George, author of Diverse Book Awards winning My Name is Maame
'Poignant, captivating and thoroughly enjoyable' - The Yorkshire Times
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Storytelling, character development, realistic
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Enjoyable
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She uses a similar technique in this book to the one she used in The Attic Child. The book jumps between the past and the present, connecting different generations of the family through a symbol: in this case, Temi's diary and writings. And the author likes connecting Africa to the UK.
My critique of using the two-timeline technique is that, as readers, we end up connecting with one story over another and feel robbed whenever we have to jump to a character we don't like.
I liked Temi's side of the story. Temi is a princess who ran away from the marriage she had in Nigeria to the UK with her lover.
The book was enjoyable, but there were times when I felt it was dragging a bit and could have been shorter.
The narrator was also very good - especially the one narrating Temi's side of the story.
The narration for the modern day felt a bit annoying, especially when she kept saying “great, great, great grandmother”😬
Enjoyable
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