Showing titles in Theater

Mary Martin was one of the greatest stars of her day. Growing up in Texas, she was married early to Benjamin Hagman and gave birth to her first child, Larry Hagman. She was divorced even more quickly. Martin left little Larry with her parents and took off for Hollywood. She didn't make a dent in the movie industry and was lured to New York, where she found herself auditioning for Cole Porter and his new show Leave It to Me! After she sang the bawdy "My Heart Belongs to Daddy", she ended up on the cover of Life magazine.

"There is something at work in my soul which I do not understand." Pushing the limits of science and morality in his search for acceptance and purpose, Victor Frankenstein unleashes on the world a creation that he cannot control. To celebrate the 200th anniversary of Mary Shelley's Gothic novel, A. S. Peterson (The Battle of Franklin) adapts the tale for the stage and creates an experience that will leave you pondering your own sense of belonging long after the curtain has fallen. Produced with a multi-voice cast in a radio theater style.

Unlike conventional how-to manuals that merely scratch the surface, The Story of The Story delves into the ethos of storytelling. It emphasizes that, just as reading a jumbo jet manual does not prepare one to fly, reading about storytelling mechanics does not prepare one to write. Something more is needed.

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

While society called his disability an obstacle and limitation, Neil argued that his "flourishing dystonia" allowed him to think, explore, and create art in a way most people cannot. True to his words, Neil embraced every opportunity to experience life to its fullest, from navigating the Alaskan wilderness in a wheelchair to commanding the spotlight on stage. In this deeply personal account, Neil invites listeners into his world as he remembers adventures and escapades, triumphs and disappointments.

On the afternoon of December 30, 1903, during a sold-out matinee performance, a fire broke out in Chicago's Iroquois Theatre. In the short span of twenty minutes, more than six hundred people were asphyxiated, burned, or trampled to death in a panicked mob's failed attempt to escape. In Chicago Death Trap: The Iroquois Theatre Fire of 1903, Nat Brandt provides a detailed chronicle of this horrific event to assess not only the titanic tragedy of the fire itself but also the municipal corruption and greed that kindled the flames beforehand and the political cover-ups hidden in the smoke and ash afterwards.

Whether you’re just starting out or leveling up, this book unlocks your inner instructor and helps you deliver memorable, effective, and fun improv classes. Discover the essential tools and insider tips that will take your improv teaching from unsure to unforgettable!

On April 4, 1968, Martin Luther King Jr. was assassinated outside of his room at the Lorraine Motel in Memphis. What happened inside room 306 on the evening of April 3 is the subject of Katori Hall's The Mountaintop. Hours after King's final speech, punctuated by his immortal line "I've been to the mountaintop", the celebrated reverend forms an unlikely friendship with a motel maid as they talk into the early hours of what will be his final day.

From the acclaimed author of The Map Thief comes the true story of a self-taught Shakespeare sleuth's quest to prove his eye-opening theory about the source of the English language's most famous plays. A work of gripping non-fiction, North by Shakespeare presents the twinning narratives of rogue...

Millions of words of scholarship have been expended on the world's most famous author and his work. And yet a critical part of the puzzle, Shakespeare's library, is a mystery. For four centuries people have searched for it: in mansions, palaces, and libraries; in riverbeds, sheep pens, and partridge coops; and in the corridors of the mind. Yet no trace of the Bard's manuscripts, books, or letters has ever been found.

In Wendy and the Lost Boys best-selling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high- pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did.

In Arthur Miller's New York Stephen Marino offers a rich, panoramic study of NYC across all of Miller's oeuvre, exploring how Miller transformed the defining experiences of his youth and early adulthood – formed on the streets and in the neighborhoods of the New York boroughs of Manhattan, Brooklyn, and Queens – into art. A crucial component of his creative DNA, NYC figures prominently in Miller's dramatic work: Death of a Salesman, A Memory of Two Mondays, A View From the Bridge, After the Fall, The Price, The American Clock, The Ride Down Mt. Morgan, Broken Glass, and Mr.

From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean.

Most students encounter drama as they do poetry and fiction – as literature to be read – but never experience the performative nature of theater. How to Teach a Play provides new strategies for teaching dramatic literature and offers practical, play-specific exercises that demonstrate how performance illuminates close reading of the text. This practical guide provides a new generation of teachers and theatre professionals the tools to develop their students' performative imagination.

“Brazenly entertaining. . . . It summons to the page a Broadway voice like no other.”—Los Angeles Times “[An] erudite and affably self-conscious memoir of the creative process.”—Vulture An intimate portrait of a genius: the late Stephen Sondheim in a series of illuminating and deeply...

As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we learn how the American theater serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American musical to life in all its artistry and excitement.

In a white fur coat, "The Queen of the Blues" sits on her luggage outside a Las Vegas hotel. It is 1959; the legendary star cannot enter the hotel without a white escort. So Dinah Washington, in her inimitable style, takes a long pull from her flask and starts kicking up a fuss. Yvette Freeman reprises her Obie award-winning performance in this passionate play that reminds us "What a Difference a Day Makes". Features songs made famous by Dinah Washington and performed in the play by Yvette Freeman.

In their third and final screen teaming, Judy Garland and Gene Kelly starred together in the MGM musical Summer Stock. In C'mon, Get Happy, authors David Fantle and Tom Johnson present a comprehensive study of this 1950 motion picture. The production coincided at a critical point in the careers of Kelly and an emotionally spent Garland. Kelly, who starred in An American in Paris just one year later, was at the peak of his abilities.

Created by The Meteor, In Love and Struggle, Vol. 3 brings together a group of visionary Black women and nonbinary people for a series of unforgettable evenings filled with storytelling, music, comedy, and monologues. This year’s theme is inspired by science-fiction writer Octavia Butler and other futurists, featuring an outstanding, eclectic, wildly creative cast.

This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre's repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form.