Showing titles in Collections

The Theogony (composed c. 700 BC) is a poem by Hesiod (8th-7th century BC) describing the origins and genealogies of the Greek gods. A theogony is a part of Greek mythology which attempts to articulate reality as a whole. Hesiod's work is a synthesis of various local Greek traditions concerning the gods, organized as a narrative that tells of their origin and how they established control over the Cosmos.

Common Sense was published anonymously by Thomas Paine in the year 1776. The book advocated independence from Great Britain to people in the Thirteen Colonies. Writing in clear and persuasive prose, Paine marshalled moral and political arguments to encourage common people in the Colonies to...

La historia de la guerra de Troya. La anecdota suele regodearse sobre la figura legendaria de Homero, supuesto juglar ciego que iba de pueblo en pueblo cantando sus grandes narraciones epicas.

Written in alternating prose and poetry, La Vita Nuova is a profound reflection on the nature of love, devoted to Dante's muse Beatrice. Following Beatrice's death in 1290, Dante became obsessed with the young Florentine woman, whom he only ever knew from a distance. He believed his love for her was a form of divine love and saw her as an image of salvation itself - a theme that is later explored in his masterpiece The Divine Comedy, where she guides him through heaven.

Thomas Bulfinch introduces us to the gods of the Greek, Roman, and Norse mythologies. We learn their stories and we also observe the similarities between the deities of yore. Comparing these stories and characters to those of some modern religions may produce some surprising results!

This course is an introduction to the philosophical thought of the two most important philosophical figures of ancient Greece. By working through parts of their central texts and thoughts, we will gain an understanding of Plato and Aristotle's relevance in the past and today as well.After each section of this guide, you will find some questions and suggestions for further thought.

Aristotle's Poetics is best known for its definitions and analyses of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed poetry is more philosophical and more significant than history. Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

The Apology of Socrates, written by Plato, is a Socratic dialogue of the speech of legal self-defense which Socrates spoke at his trial for impiety and corruption in 399 BC. Specifically, the Apology of Socrates is a defense against the charges of "corrupting the youth" and "not believing in the gods in whom the city believes, but in other daimonia that are novel" to Athens.

The Odyssey is an epic poem, written by the ancient Greek philosopher Homer, and considered to be the second oldest piece of western literature still in existence. Scholars believe it was written at the end of the eighth century BC. Still heavily used in schools because of its unique literary makeup and historical value, the poems follow Greek hero Odysseus, as he journeys home after the 10-year long Trojan War. His journey home takes another 10 years, and Odysseus encounters many obstacles.

In this acclaimed Plato masterpiece, you travel back in time to attend an elaborate high society dinner. At this party, you meet Plato's mentor, Socrates, and the comic poet Aristophanes. During the banquet, each of these men is invited to praise Eros, the god of love and desire. You witness them deliver speeches that embody their wisdom and philosophies on love. You hear Socrates' celebrated account of Diotima, the prophetess who taught him that love is the manifestation of human goodness. Finally, you even hear from the famous Alcibiades.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle.

Plutarch’s series of biographies was the first of its kind, as much ground breaking in conception as Herodotus was with his Histories. Plutarch looked at the great men of the Ancient World and told their stories, in many cases drawing on sources no longer available to us. They offer a unique insight into the characters as well as the achievements of men who influenced their age and the empires that their culture dominated. They are as accessible now as they were when they were first written.is the companion volume to Roman Lives.

In Nicomachean Ethics, Aristotle delves into the question of what is best for mankind and humans as individuals. His conclusion is that happiness is the best possible human condition, though he is not referencing the emotion of happiness. Instead, Aristotle concludes that true happiness comes as a way of life in which the individual contributes to the good of his community, as well as his mind.

You’ve heard all about the ‘brilliant men’ of ancient myth, but what about the scheming and scandalous women who were so often lost in their shadow? Bad Girls of Ancient Greece contains profiles of wayward wives, mad mothers, scandalous sisters and damsels, that quite frankly, caused...

Plato (428/427 BC-348/347 BC), whose original name was Aristocles, was an ancient Greek philosopher, the second of the great trio of ancient Greeks - succeeding Socrates and preceding Aristotle - who between them, laid the philosophical foundations of Western culture. Plato was also a mathematician, writer of philosophical dialogues, and founder of the Academy in Athens, the first institution of higher learning in the Western world. Plato's brilliance as a writer and thinker can be witnessed by reading his Socratic dialogues.

Matthew Arnold praised the Iliad for its "nobility", as has everyone ever since - but ancient critics praised it for its enargeia, its "bright unbearable reality" (the word used when gods come to earth, not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance.

Many stories have stood the test of time, but this selection have entranced audiences for thousands of years and remain as fresh today as they were when first told. A fascinating collection which gives vivid insights into lives in ancient times and the issues that occupied the people of the day.

This Greek tragedy is based on the myth of Prometheus, a Titan who, in defiance of the gods, gives fire to mankind, an act for which he is subjected to perpetual punishment.The play consists almost entirely of speeches since the protagonist is chained throughout.

The Phaedrus by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. It was probably written around 370 BC, at about the same time as Plato's Republic and Symposium. Ostensibly about love, the discussion in the dialogue focuses on the art of rhetoric and how it ought to be practiced. The dialogue appears in the direct words of Socrates and Phaedrus, without an introduction.

Sappho was a female poet who was well known in ancient Greece and Rome for her lyrical poetry. She was most famous for her poems involving women who loved women, and it is from her name that sapphic, a term referring to sexual relations between women, originated. This is a compendium of her surviving work, a collection of 54 fragments translated by Henry de Vere Stacpoole.