Showing results by author "G.K. Chesterton" in All Categories

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word orthodox. In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having rebelled against them; they had rebelled against him. The armies with their cruel security, the kings with their cold faces, the decorous processes of State, the reasonable processes of law - all these like sheep had gone astray...."

Diminutive, bespectacled, and endearing, Father Brown only appears unworldly. But the cherubic parish priest is privy to the inner workings of the most surprising of sinners. And as an amateur sleuth, he intuits motives for Essex's unsolvable crimes. One of the most beloved characters in 20th-century detective fiction, the kindly cleric leverages his unrivaled insights into human nature to decipher 12 ingenious mysteries from the witty and clever mind of G. K. Chesterton.

G. K. Chesterton’s Father Brown is perhaps the most lovable amateur detective ever created. This short, shabby priest with his cherubic, round face attracts situations that baffle everyone - except Father Brown and his rather naïve wisdom. The twelve enthralling stories in this book take Father Brown from London to Cornwall, from Italy to France, as he gets involved with bandits, treason, murder, curses, and an American crime-detection machine.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

First published in 1911, The Innocence of Father Brown contains stories involving one of the greatest characters in the history of detective fiction: Father Brown. He is a Roman Catholic priest who has an uncanny insight into human evil. Rather than the large serial villains in, for example, Sherlock Holmes stories, the mysteries Father Brown solved were more local murders by small-town crooks, narrowing the suspect list down to those in the area of the crime.

Spirited and unpretentious, Chesterton's romp through English history recounts the thrilling story of a somewhat complicated nation, told through the soul of its people. From the Roman roads to the Magna Carta, the Reformation and the rise of democracy, Chesterton compellingly traces England's journey through history, often noting the persistent struggle between ordinary folk and overreaching elites.

The experiments of both Capitalism and Communism are almost complete, and they both lead to one big organization controlling everything you do. In 1925, when this book was first published, it was true, and it is even truer today.

Effortlessly blending biography, philosophy and humour, Chesterton recounts with great imaginative depth the renowned Italian priest and theologist, Thomas Aquinas. Known as the ‘Angelic Doctor’, Aquinas was not just a scholar, but a passionate intellectual who was deeply in love with truth and natural theology.

«Si solo leemos una obra de Chesterton —debería avergonzarnos si así fuera— ha de ser Ortodoxia. Seguramente, nadie ha defendido la fe cristiana con argumentos tan sorprendentes y ejemplos tan deslumbrantes, como Chesterton lo hizo en Ortodoxia. Una obra maestra de retórica que (...) realmente constituye uno de los libros mejor escritos del siglo XX» (Dale Ahlquist, presidente y cofundador de la American Society Ches- terton ). Ortodoxia es el libro más importante de una personalidad excepcional.

The book acts as a guide which explains how Christianity is the best choice for all human beings, not because it's outside of our world and an independent truth, but because it is the answer to our base needs and desires. Only when Christianity is seen as a way of life instead of a belief can the true power of the faith be realized.

During the first three decades of the 20th century, eugenics, the scientific control of human breeding, was a popular cause within enlightened and progressive segments of the English-speaking world. This prophetic volume counters the intellectual nihilism of Nietzsche, while simultaneously rebuking Western notions of progress - biological or otherwise. Chesterton expands his criticism of eugenics into what he calls "a more general criticism of the modern craze for scientific officialism and strict social organization."

Gilbert Keith Chesterton has become synonymous with modern Christian apologetics. But his impact goes beyond just those interested in a defense of Christian thought. His writings have influenced such diverse authors as C.S. Lewis, Marshall McLuhan, and Jorge Luis Borges, and remains a subtle and unseen presence in contemporary Catholic thought. At his funeral, Ronald Knox said "All of this generation has grown up under Chesterton's influence so completely that we do not even know when we are thinking Chesterton."

Poet Gabriel Syme believes in the beauty of order and, as such, is recruited by Scotland Yard to an anti-anarchist police corp. While undercover, Syme meets fellow poet Lucian Gregory, a verse writer devoted to disorder, who introduces him to London’s anarchist underworld. Just as Gregory is to be elected to the central council, Syme’s cover is revealed and he is forced to make a decision that sends the cabal into chaos. Is anyone in this underground faction who or what they seem? Syme suddenly realizes he doesn’t have all the answers.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

This classic novel by the brilliant G. K. Chesterton tells the rollicking tale of Innocent Smith, a man who may be crazy - or possibly the most sane man of all. Arriving at a dreary London boarding house accompanied by a windstorm, Smith is an exuberant, eccentric, and sweet-natured man. Smith has a positive effect on the house - he creates his own court, brings a few couples together, and falls in love with a paid companion next door. All seems to be well with the world.

After the success of Heretics, G. K. Chesterton was challenged and compelled to share the story of his pilgrimage to faith. The result is this bracing, watershed religious autobiography in which he follows the doctrines determined in the Apostle’s Creed to deliver a personal, yet universal, defense of Christianity. Ultimately, the literary giant answers the question - not of whether divinity can be believed - but rather, how he himself came to believe it.

A "very short Catholic priest" who does "...not seem to know which was the right end of his return ticket," Father Brown is the embodiment of the phrase 'looks can be deceiving.' Arguably the second best-known crime-solver in English literature, this unassuming man of the cloth solves case after case with ease.

In The Napoleon of Notting Hill, his first novel, G. K. Chesterton creates a witty satire of staid government, set in a London of the future. Auberon Quinn, a common clerk who looks like a cross between a baby and an owl and is often seen standing on his head, is one day told that he has been randomly selected to be His Majesty the King. He decides to turn London into a medieval carnival for his own amusement - with delightful results.

Written by G. K. Chesterton, Orthodoxy addresses foremost one main problem: How can we contrive to be at once astonished at the world and yet at home in it? Chesterton writes, "I wish to set forth my faith as particularly answering this double spiritual need, the need for that mixture of the familiar and the unfamiliar which Christendom has rightly named romance."

Evan Maclan, a devout Catholic, and James Turnball, a fiery atheist, agree to duel after a heated argument over religion. But every time the two men attempt to put an end to things, the authorities interfere – duelling, after all, is forbidden. In order to evade the law, the two men travel across England only to be confronted with a series of absurd events that challenge each of their beliefs and values.