Showing results by author "ROBERT W. CHAMBERS" in All Categories

Contents: Edgar Allan Poe - The Murders in the Rue Morgue - The Gold Bug - The Black Cat - The Pit and the Pendulum - The Tell-Tale Heart - The Fall of the House of Usher - The Masque of the Red Death - The Cask of Amontillado - The Facts in the Case of M. Valdemar - Hop-Frog - The RavenBram Stoker - DraculaMary Shelley - FrankensteinJoseph Sheridan Le Fanu - CarmillaRobert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. HydeH.P. Lovecraft - The Alchemist - At the Mountains of Madness - Azathoth - The Beast in the Cave.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

There are books that haunt. The King in Yellow is one of them. First published in 1895, this cycle of four interlinked stories—The Repairer of Reputations, The Mask, In the Court of the Dragon, and The Yellow Sign—offers a view into a world just a shade off from our own. Beneath the surface of elegant prose and civil order lies something broken, something touched by madness, art, power—and something unspeakably strange. A book within the book, a play that should never be listened to, threads through each tale, leaving behind not answers, but echoes.

America is fat and prosperous. We’ve warred with the world and come out on top. We’ve gotten rid of the riff-raff. A new era is arising, change is in the air, and to top it all off, the first Government Lethal Chamber is now open and ready for its first occupant. The future looks bright in 1895.

Ghosts, ghouls, witches, and other unearthly creatures promise to chill the blood and raise the hair of even the most courageous listener. Volume Two in this series presents more classic horror to enjoy beyond the spooky season. Brought to you by the slightly unhinged Utah Audiobook Narrators.

A short story from "The King in Yellow", The story is set in New York City in the year 1920, 25 years after the story's publication. It is told from the view of Hildred Castaigne, a young man whose personality changes drastically following a head injury sustained by falling from his horse. He is subsequently committed to an asylum for treatment of insanity by Dr. Archer. Due to his accident, Hildred is a prime example of an unreliable narrator.

O título da coletânea faz alusão a um livro dentro do audiolivro—mais precisamente, a uma peça teatral fictícia—e a seu personagem central, uma figura sobrenatural cuja existência extrapola a narração. A peça O Rei de Amarelo é mencionada em quatro dos contos, mas pouco se conhece de seu conteúdo. É certo apenas que o texto, em dois atos, leva o ouvinte à loucura, condenando sua alma à perdição. Um risco ao qual alguns aceitam se submeter, dado o caráter único da obra, um misto irresistível de beleza e decadência.

The King in Yellow is a book of 10 classic short stories about the supernatural. The first four mention "The King in Yellow", a forbidden play which induces despair or madness in those exposed to it. The tales have a macabre undertone, focusing on characters that are inhabitants of the demi-monde.

This collection includes five of the greatest stories of American classic horror. The richest of language is used to create extraordinary atmosphere - gloom, darkness, solitude, despair - and the relentless feeling of impending doom. Includes: "The Oval Portrait", by Edgar Allan Poe; "Ethan Brand", by Nathaniel Hawthorne; "The Yellow Sign", by Robert W. Chambers; "The Upper Berth", by F. Marion Crawford; and "An Occurrence at Owl Creek Bridge", by Ambrose Bierce.

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

From The King in Yellow: Anyone who possesses, even by accident, a copy of the sign is susceptible to some form of insidious mind control, or possession, by the King in Yellow or one of his heirs. The stories also suggest that the original creator of the sign was not human and possibly came from a strange alternate dimension that contains an ominous and ancient city known as Carcosa. The finder of the sign gives it as a gift to her future lover with disasterous results!

Classic Tales of Terror collects two classic chillers of the supernatural. "The Cats of Ulthar" tells of an elderly couple with a penchant for animal cruelty. They kill the pet of an orphan and the animals retaliate with a terrible vengeance. In "The Yellow Sign", an artist encounters a horribly disfigured man who exudes a terrible aura of unspeakable evil.

Barred from life and death alike, she waited - waited for the key that could unlock the sinister talisman that held her prisoner of eternity. Taken from The King in Yellow, often referred to in "True Detective" this is one creepy short story.

During World War I, an American secret service agent, Evelyn Erith, opens and deciphers a coded letter. It says the Germans believe that Kay MacKay, an American concentration camp escapee, knows The Great Secret. And that MacKay must be eliminated. Erith finds McKay, saves him from German agents and convinces him to join U.S. Intelligence. Together they venture undercover into the Swiss Alps to discover and expose The Great Secret. The future of Europe depends on it!

A short story by Robert W Chambers that appeared in the collection The King in Yellow, this vignette starts with a stray cat wandering into the flat of an artist in Paris, that eventually leads him to a love he lost in another life.

While taking a break from his latest painting, an artist casually stands at his window, looking at the street below. Much to his horror he sees a hideously disfigured man, a man whose features draw a repulsive shudder - the artist recognizes him from a nightmare foretelling his own death.

From The King in Yellow by Robert W. Chambers, this story is set in the Latin Quarter of Paris, where a young artist falls in love with a nameless girl. He has no name, so he names her by the street. Rue Barree in English translates to Road Closed. Are there connotations here, or not?

In a future America that feels eerily controlled, prosperous, and quietly altered, Hildred Castaigne walks the streets of New York with a secret he believes will reshape the world. Recovered from a past injury and newly filled with ambition, Hildred becomes obsessed with a forbidden book—The King in Yellow—a work whispered to corrupt the mind of any who read beyond its opening act. From that moment on, reality begins to shift.

"Oh, thou who burn'st in heart for those who burn In Hell, whose fires thyself shall feed in turn; How long be crying - 'Mercy on them.' God! Why, who art thou to teach and He to learn?" In the Church of St. Barnabé vespers were over; the clergy left the altar; the little choir-boys flocked across the chancel and settled in the stalls. A Suisse in rich uniform marched down the south aisle, sounding his staff at every fourth step on the stone pavement; behind him came that eloquent preacher and good man, Monseigneur C-----.

The Messenger is a chilling gothic tale by Robert W. Chambers, where reason and folklore collide in the shadow of history. As a rational American observer investigates a mysterious burial site, he uncovers the story of a long-executed traitor known as the Black Priest—a man branded in death, cursed in blood, and sworn to return if his remains are ever disturbed. What follows is a slow descent into unease: a skull that will not stay buried, a death’s-head moth appearing at windows and hearths, masked figures glimpsed in stormlight, and blood trails that defy explanation.