Showing results by narrator "Frederick Davidson" in All Categories

The Cornish Foundation, set up with money left by the late art expert, collector, and notable eccentric Francis Cornish, must choose a worthy undertaking upon which to expend a portion of its considerable funds. It is decided that the Foundation will fund the doctoral work of one Hulda Schnakenburg: a grumpy, difficult, and extraordinarily talented music student.

Hector Munro, writing under the pseudonym of Saki, is justly renowned for his urbane and witty short stories. His eccentric characters, humorous dialogue and engaging domestic situations all reveal a penetrating and sometimes disturbing insight into human nature. As a quixotic tour guide, Saki leads the reader from garden party to pig sty to political convention with the ease of one who is intimately familiar with the cares and foibles of the human condition, showing us this vista of life through the well tempered lens of his gentle, British irony. In this definitive collection of stories we can browse and sightsee at our leisure, cross borders of fresh insight, admire and enjoy each whimsical tale as we journey through the imaginative landscape of a truly artful writer.

Webster's Dictionary gives the meaning of the word "miasma" as "an infection floating in the air; a deadly exhalation". And in the opinion of Mr. Robert Ferguson, that description, though perhaps a little too flattering, on the whole summed up Master Roland Bean pretty satisfactorily. Until the previous day, Master Bean had served Mr. Ferguson in the capacity of office-boy. But there was that about Master Bean which made it practically impossible for anyone to employ him for long.

The Kingdom is the story of a country - a country of astonishing contrasts, where routine computer printouts open with the words “In the name of God,” where men who grew up in goat-hair tents now dominate the money markets of the world, and where murderers and adulterers are publicly executed in the street. By its own reckoning, this country is just entering the 15th century. The Kingdom is also the story of a family - a family that has fought its way from poverty and obscurity into wealth and power.

Sharpe's mission had seemed simple: capture a small unguarded French coastal fort, cripple Napoleon's supply lines, and retreat across the sea. But behind the lines, Sharpe's old enemy, Pierre Ducos, awaits Sharpe's arrival with a battalion of French soldiers and a vicious commanding general who keeps the scalps of his dead enemies as trophies.

This brilliant satirical novel, tracing the life and loves of Ernest Pontifex, has continued in popularity since its original publication in 1903. Every generation finds in The Way of All Flesh a reaffirmation of youth's rightful struggle against the tyranny of harsh parents and its admirable will for freedom of personal expression.

An unfinished duel, a midnight murder, and the treachery of a beautiful prostitute lead to the imprisonment of Sharpe. Caught in a web of political intrigue for which his military experience has left him fatally unprepared, Sharpe becomes a fugitive - a man hunted by both ally and enemy alike.

From one of the truly preeminent historians of our time, this is a landmark book chronicling the French Revolution. Simon Schama deftly refutes the contemporary notion that the French Revolution represented an uprising of the oppressed poor against a decadent aristocracy and corrupt court. He argues instead that the revolution was born of a rift among the elite over the speed of progress toward modernity and science, social and economic change.

From the moment that Jeeves walks through Bertie Wooster's door, Bertie gives up running his own affairs and lets Jeeves take charge. Whether it's the color of a tie, the style of a hat or a coat, Jeeves is always right. He is there to depend on in times of trouble, and such times are frequent in the lives of Bertie and his friends. Whether it's Corky's artistic career that needs boosting or Bingo Little's gloom that needs lifting, Jeeves can always be relied upon.

Horace Rumpole—who never prosecutes, whose fame rests on an infinite knowledge of blood and typewriters, whose court scenes are proverbial, whose home is ruled by Mrs. Rumpole (“She Who Must Be Obeyed”)—is back on the defense, as irreverent, as iconoclastic, as claret-swilling, poetry-spouting, impudent, witty, and cynical as ever.

From one of the truly preeminent historians of our time, this is a landmark book chronicling the French Revolution. Simon Schama deftly refutes the contemporary notion that the French Revolution represented an uprising of the oppressed poor against a decadent aristocracy and corrupt court. He argues instead that the revolution was born of a rift among the elite over the speed of progress toward modernity and science, social and economic change.

Acclaimed as the best of Bernard Cornwell's Sharpe series, Sharpe's Company finds Richard Sharpe desperate to save his wife and daughter from inside the fortress of Badajoz. "Consistently exciting," says Stephen King. "These are wonderful novels."

Giovanni Boccaccio, Dante, and Petrarch were the leading lights in a century that is considered the beginning of the Italian Renaissance. The Decameron, or Ten Days' Entertainment, is his most famous work, a collection of stories considered representative of the Middle Ages, as well as a product of the Renaissance.

In this book, the first to draw from recently released archives, Robert Conquest gives us Stalin as a child and student; as a revolutionary and communist theoretician; as a political animal skilled in amassing power and absolutely ruthless in maintaining it. He presents the landmarks of Stalin's rule: the clash with Lenin; collectivization; the Great Terror; the Nazi-Soviet pact and the Nazi-Soviet war; the anti-Semitic campaign that preceded his death; and the legacy he left behind.

A band of renegades led by Sharpe's vicious mortal enemy, Obadiah Hakeswill, holds a group of British and French women hostage in a strategic mountain pass. On the other side of the pass, Napoleon's Grande Armie seeks to smash through and crash the British army in Portugal. Outnumbered and attacked from two sides, Sharpe must hold his ground or die in the attempt.

Orwell's own experiences inspire this semi-autobiographical novel about a man living in Paris in the early 1930s without a penny. The narrator's poverty brings him into contact with strange incidents and characters, which he manages to chronicle with great sensitivity and graphic power. The latter half of the book takes the English narrator to his home city, London, where the world of poverty is different in externals only.

With the emperor Napoleon at its head, an enormous French army is marching toward Brussels. The British and their allies are also converging on Brussels - in preparation for a grand society ball. And it is up to Richard Sharpe to convince the Prince of Orange to act before it is too late. In this, the culmination of Sharpe's long and arduous career, Bernard Cornwell brings to life all the horror and all the exhilaration of one of the greatest military triumphs of all time.

One of the classic volumes of autobiography, My Early Life is a lively and colourful account of a young man's quest for action, adventure and danger. Churchill's schooldays are undistinguished, but he is admitted to Sandhurst and embarks on a career as a soldier and a war correspondent, seeing action in Cuba, in India, in the Sudan - where he took part in the battle of Omdurman, of which he gives us a stirring account - and finally in South Africa.

Dr. Johnson may have been correct in saying that “Rousseau was a very bad man,” but none can argue that his ideas are among the most influential in all of world history. It was Rousseau, the father of the romantic movement, who was responsible for introducing at least two modern day thoughts that pervade academia. The Confessions is Rousseau’s landmark autobiography. Both brilliant and flawed, it is nonetheless beautifully written and remains one of the most moving human documents in all of literature.

In this ground-breaking work, Norman Cantor explains how our current notion of the Middle Ages—with its vivid images of wars, tournaments, plagues, saints and kings, knights and ladies—was born in the 20th century. The medieval world was not simply excavated through systematic research. It had to be conceptually created: it had to be invented, and this is the story of that invention.