Showing results by narrator "Nat Segaloff" in All Categories

Since we first peeked into Stars Hollow, Connecticut in October 2000, Gilmore Girls has delighted people worldwide. Combining unparalleled writing with endearing characters and a respect for the complexities of life, the series continues to bring people together today. The Gilmore Girls Companion takes you behind the scenes of this television classic, from the first glimmer of the idea to the making of the series finale.

Packed with behind-the-scenes anecdotes, cultural insights, and debates about violence in the media, this is an explosive no-holds-barred report from the front lines of Hollywood mythmaking. A must-listen for Rambo fans, movies buffs, and anyone interested in American culture.

Michael Landon was an actor, writer, director, and producer. For over three decades, Michael Landon's creative gifts touched millions of viewers around the world on Bonanza, Little House on the Prairie, Highway to Heaven, and in several other productions. This is the first detailed examination of his work both in front of and behind the camera, including information about every Landon script.

From 1941 to 1953, director John Huston and actor Humphrey Bogart made one classic film after another, from The Maltese Falcon to The African Queen. Here is the story of their close but combative friendship that produced some of the best movies ever made. Their friendship was as dramatic as any of their movies. It survived nine marriages, a world war, the blacklist, leeches, alcohol, and Jack L. Warner.

For over forty years, ventriloquist Shari Lewis and her sassy hand puppet Lamb Chop were the most beloved team in children's television. Together with her other puppets Charlie Horse and Hush Puppy, Shari raised three generations of kids and struggled to stay relevant in an industry that was constantly changing. In this audiobook, cowritten and recorded by Shari's daughter Mallory Lewis (who now performs with Lamb Chop) and producer-biographer Nat Segaloff, you'll hear how Shari survived using sheer will and talent.

Everything you always wanted to know about the 1975 monster-movie hit Jaws and the other monsters that swam in its wake.

Screenwriter Jeb Rosebrook presents a captivating behind-the-scenes memoir of the making of Junior Bonner, a 1972 Western classic starring Steve McQueen and directed by Sam Peckinpah.

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.

Author Michael J. Hayde's definitive work about Superman on radio and television. Hayde is well-known for My Name's Friday: The Unauthorized but True Story of Dragnet and The Films of Jack Webb and Little Elf: A Celebration of Harry Langdon, and this new treasure trove of information on the Man of Steel covers comprehensive episode logs for the radio series and the original television series, plus the complete story lines for two unproduced television series episodes, and dozens of "deleted scenes" taken right from the scripts.

Heavyweight (in every sense of the word) actor William Conrad made his name in radio drama as Matt Dillon on Gunsmoke and then powered his way into television with Cannon, Nero Wolfe, and Jake and the Fat Man. A producer and director as well as one of the most successful voice actors in history, Conrad rude success with aplomb. This audiobook relates his early years, life, family, and friendships interwoven with his credits.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

After a surprise phone call from Children’s Television Workshop, Daoud Kuttab took the chance of a lifetime to create a Palestinian co-production of Sesame Street. But the challenges of producing a world-famous children’s program quickly escalated beyond just teaching Elmo to speak Arabic. From finding actors and puppeteers in a country starved of training to dealing with a community that considered the production too provocative, the early days were less than easy.

The Hollywood Canteen was the jewel in the crown of World War II Hollywood. From 1942 to 1945, over three million servicemen came through its doors on their way to fight in the Pacific - some never to return. There, in a converted barn in the heart of Hollywood, soldiers were fed, entertained by, and danced with some of the biggest stars in the world.

In the summer of 1987, a group of the screen's most notable stars gathered in glamorous Newport, Rhode Island, to make Mr. North, a charming but unpretentious film about a magical man who turns the town upside down. They included Anthony Edwards, Anjelica Huston, Lauren Bacall, Harry Dean Stanton, Virginia Madsen, Tammy Grimes, and a host of other talents, including legendary director John Huston. The filmmaker was Danny Huston, John's son.

To many people, the Marx Brothers always seemed cartoonish. Small wonder that film animators plucked their personas from their first appearances in The Cocoanuts (1929) and Animal Crackers (1930) and caricatured them in countless animated appearances in theatrical cartoons. Their animated likenesses have since been wisecracking in television cartoons, direct-to-video movies, fan films, commercials, flip books, avatars, emoji, a slot machine, and two TV pilots so rare they were once thought not to exist.

When Charles Chaplin signed a record-setting contract with the Mutual Film Corporation in February 1916, it was the culmination of events that changed the motion picture business. Mutual's founders redefined how films were bought, sold, and distributed. Chaplin redefined screen comedy with a character that leapt into the hearts of moviegoers around the world. Together they established the value of star power and created 12 magnificent comedies that have endured for generations.

Critic-producer Nat Segaloff was granted access to private papers, production records, never-before-published interviews, and specialized archives in reconstructing the colorful, touching, and sometimes scandalous stories behind the making of the last films of some of Hollywood's top directors.

With his chiseled features, effortless screen presence, otherworldly vitality, and striking blue eyes, Jan-Michael Vincent seemed destined for superstardom. However, the real Jan-Michael Vincent was a reluctant sex symbol plagued by doubt and low self-confidence, a perpetual misfit doomed to alcoholism. Jan-Michael Vincent: Edge of Greatness covers Vincent’s entire life and details the difference between Jan Vincent, a shy, small-town boy, and Jan-Michael Vincent, Hollywood’s golden boy.

Writer-Producer Robert Youngson’s seminal compilation documentaries of silent comedy in the 1960s inspired a Renaissance in the legacies of Charley Chase, Snub Pollard, and, above all, Laurel and Hardy as well as other comedians from movies of the teens and '20s. Youngson died young, but his widow, Jeanne, tells author Manago about her late husband’s obsession with movies, laughter, and food.

To some, she was the female Tarzan. To others, she was the sexiest pin-up of their teenage years. To the Coca-Cola Company, she was the way to liberate millions of dollars held hostage in Africa. But to executive producer Yoram Ben-Ami, she was the most complex and challenging motion picture he had ever made. Now, in My Adventure with Sheena, Queen of the Jungle, Ben-Ami tells about shooting the first major studio film made entirely in Africa, from dealing with a director who wouldn’t take “no” for an answer to a rhinoceros that wouldn’t take direction.